简介:谢尔盖·(🌠)帕拉杰诺夫(fū ),1924年生(🍩)于前(qián )苏联格鲁吉亚的第比(bǐ )利斯(sī ),父(fù )母都(🎹)是(shì )亚美(🐉)尼(ní )亚(🌰)人。从(cóng )小就显示出他(🎾)对(📿)色彩的敏感(🎏)和天神(🏇)一(yī )般的(de )绘画天赋。除了(👑)绘画,从(cóng )小他就(🕯)对(👁)电(diàn )影和音(yīn )乐有着浓(nóng )厚(🚥)的兴(🕌)趣。1945年,他21岁,求(🚑)学莫(🥀)斯科是他(tā )(🐖)一生(🔊)的转折(🚢)点。他进入(🔩)俄罗斯电影学院(😞)(VGIK)导演系学习拍片。这是一(yī )(✋)个历史悠久的著名电影学校,为欧洲大陆贡献(xiàn )(🤷)了大批电(diàn )影(yǐng )大师(shī )。之(zhī )后(👺)成(chéng )为老师杜甫仁科的助手,杜甫(fǔ )仁科是苏联诗电影的祖先,塔尔科(🚗)夫(🐾)斯基和帕拉(🏻)杰诺(nuò )(🌹)夫都得益于他(tā )(🃏)的(🌪)教诲(huì )。 (💹) 根(gēn )据(jù )俄罗(🔈)斯作家莱蒙托夫的故事改编。一(🔤)个(👌)游吟诗(🥤)人在(👵)路途上花了一千个白(🚲)天和黑夜(yè ),随(suí )时随(🆙)地尽其(qí )所能为人们带来(🚽)快乐(🍁)。他的流动(dòng )的生活方式看似毫(háo )无(⏺)目的,其实不(bú )(📬)然。他(tā )希望在一千个(gè )日日夜夜之后,能够挣到足够的钱举办婚礼......如果新娘(🈸)还在(zài )等(děng )(🛌)他(tā )的话(🎞)。 Wandering minstrel Ashik Kerib falls in love with a rich merchant's daughter, but is spurned by her father and forced to roam the world for a thousand and one nights - but not before he's got the daughter to promise not to marry till his return. It's told in typical Paradjanov style, in a series of visually ravishing 'tableaux vivants' overlaid with Turkish and Azerbaijani folksongs.
谢尔盖·(🌠)帕拉杰诺夫(fū ),1924年生(🍩)于前(qián )苏联格鲁吉亚的第比(bǐ )利斯(sī ),父(fù )母都(🎹)是(shì )亚美(🐉)尼(ní )亚(🌰)人。从(cóng )小就显示出他(🎾)对(📿)色彩的敏感(🎏)和天神(🏇)一(yī )般的(de )绘画天赋。除了(👑)绘画,从(cóng )小他就(🕯)对(👁)电(diàn )影和音(yīn )乐有着浓(nóng )厚(🚥)的兴(🕌)趣。1945年,他21岁,求(🚑)学莫(🥀)斯科是他(tā )(🐖)一生(🔊)的转折(🚢)点。他进入(🔩)俄罗斯电影学院(😞)(VGIK)导演系学习拍片。这是一(yī )(✋)个历史悠久的著名电影学校,为欧洲大陆贡献(xiàn )(🤷)了大批电(diàn )影(yǐng )大师(shī )。之(zhī )后(👺)成(chéng )为老师杜甫仁科的助手,杜甫(fǔ )仁科是苏联诗电影的祖先,塔尔科(🚗)夫(🐾)斯基和帕拉(🏻)杰诺(nuò )(🌹)夫都得益于他(tā )(🃏)的(🌪)教诲(huì )。 (💹) 根(gēn )据(jù )俄罗(🔈)斯作家莱蒙托夫的故事改编。一(🔤)个(👌)游吟诗(🥤)人在(👵)路途上花了一千个白(🚲)天和黑夜(yè ),随(suí )时随(🆙)地尽其(qí )所能为人们带来(🚽)快乐(🍁)。他的流动(dòng )的生活方式看似毫(háo )无(⏺)目的,其实不(bú )(📬)然。他(tā )希望在一千个(gè )日日夜夜之后,能够挣到足够的钱举办婚礼......如果新娘(🈸)还在(zài )等(děng )(🛌)他(tā )的话(🎞)。 Wandering minstrel Ashik Kerib falls in love with a rich merchant's daughter, but is spurned by her father and forced to roam the world for a thousand and one nights - but not before he's got the daughter to promise not to marry till his return. It's told in typical Paradjanov style, in a series of visually ravishing 'tableaux vivants' overlaid with Turkish and Azerbaijani folksongs.展开